Double manual Flemish harpsichord with ‘ravelement’ after Ruckers, by Andrew Wooderson, Bexley Kent 2011; disposition: GG- e3, a1 = 392 / 415 / 440 Hz, 2 x 8’ / 1 x 4’ / buff stop
Continuo organ by Henk Klop, Garderen 2015; disposition: C – f3, a1 = 415 / 440 / 466 Hz, Flute 8′ / Flute 4′ / Prestant 4′
Single manual Italian harpsichord c1700 by Andrew Wooderson, Bexley Kent 2009; disposition: B – d3, a1 = 415 / 440 / 466 Hz, 2 x 8′
Recorders
Peter Van der Poel; Renaissance (Schnitzer): Soprano in C, Alto in G, Alto in F, Tenor in C, Basset in F and Bass in C (466 Hz); Alto (Ganassi) in G (440/466 Hz); Alto (Stanesby) in F (415 Hz)
Guido Hulsens; Renaissance: Tenor- in C, Basset- in F & Bass in C (440 Hz); Voice flute (415 Hz)
Hans Coolsma; Soprano (Terton) in C (415 Hz)
Virginal (Muselaar) after Hans Ruckers (Antwerp, 1610) by Fred Bettenhausen, Haarlem 1995 (case by Walter Maene), decorations after Vermeer (Lady Standing at a Virginal and Lady Seated at a Virginal) by Armen Gasparian, New strings and plectra in 2017 by Andrew Wooderson; Disposition: C/E – c3 (45 keys), a1 = 440 Hz, 1 x 8′
